Liam O'Dell – Freelance Journalist and Campaigner

‘Eureka Day’ review – School vaccine comedy isn’t particularly pointy

by Liam O'Dell September 24, 2022September 24, 2022

YouTube’s Touch Captions pilot revives viewer edits after Community Captions axe

by Liam O'Dell September 16, 2022September 16, 2022

‘The Snail House’ review – Birthday bash goes big with a small message

by Liam O'Dell September 15, 2022September 15, 2022

A Black woman in a grey vest with a look of concern on her face stands on stage facing stage left. The set behind her is a kitchen lit up in grey lighting.

‘The Clinic’ review – Black activism drama is dampened by lack of fiery focus

by Liam O'Dell September 13, 2022September 13, 2022

A group of actors in different coloured outfits stand on a wooden stage with a halfpipe at the back. They lean forward slightly, as if ready to charge. In the middle is a white Persson with short brown hair, a silver armour chest and blue overalls.

‘I, Joan’ review – Non-binary Joan of Arc epic is a revelatory rebellion

by Liam O'Dell September 2, 2022September 9, 2022

A dark, grey photo of a hand holding a pipette, which is inserted into a small glass bottle.

Spectrum 10K: UCLA ‘were not asked’ to sign statement announcing pause of autism study

‘Antigone’ review – Inua Ellams’ converts classic into captivating commentary on citizenship

A white man in all-black clothing shouts as he flaps his hands together in front of him. He’s lit up by a warm yellow hue. It’s slightly foggy on-stage too.

‘Who Killed My Father?’ review – Ivo van Hove’s cyclical monologue on capitalism

Three blue double-helix DNA molecules against a black background.

Spectrum 10K: Study team email confirms controversial DNA project looks to ‘identify the causes of autism’

#ReviewIn72: ‘The Seagull’ at the Harold Pinter Theatre

Chris Fonseca, a Black man in a white shirt, stands on a stage and points at the audience. Text projected behind him reads: ‘But most days I’m too busy being Black.’

‘Follow the Signs’ review – Deaf dancer Chris Fonseca’s play is poppy, punchy and personal