Liam O'Dell – Freelance Journalist and Campaigner

‘The Tragedy of Macbeth’ review – Saoirse Ronan’s respectable debut in a haunting but overbearing production

by Liam O'Dell October 16, 2021October 16, 2021

A dark, grey photo of a hand holding a pipette, which is inserted into a small glass bottle.

Spectrum 10K: Health official slammed ‘messy’ ethics application from controversial autism DNA study

by Liam O'Dell October 12, 2021October 12, 2021

Livestream settings in dark mode, showing a tab reading 'additional settings', with 'closed captions', 'automatic captions', 'English' selected from the drop downs. A green arrow points to a small blue dot to the right of the 'closed captions' section.

YouTube rolls out live automatic captions for all English livestreams

by Liam O'Dell October 7, 2021October 7, 2021

A red rectangle with a two white pause lines inside. Underneath, white text on a grey rectangle reads: 'Community Captions'. Underneath this is a red line against a white line, like the YouTube progress bar.

YouTube’s Community Captions replacement still isn’t ready – a year after they were axed

by Liam O'Dell September 28, 2021September 20, 2021

‘Is God Is’ review – Aleshea Harris’ wild, wild Western is one hell of a trip

by Liam O'Dell September 16, 2021September 17, 2021

Three blue double-helix DNA molecules against a black background.

Spectrum 10K: Researchers hope knowledge from DNA study will lead to ‘improvements in autism’

Fehinti Balogun, a young Black man, crouches with other dancers as he dances on a stage.

‘Can I Live?’ online review – Fehinti Balogun’s compelling, energetic lecture on climate change

A purple gradient background. In the middle is text which reads: 'Voice Transformer. Change how your audience hears you by selecting a voice transformation.' There is then a slider showing a range of different icons (microphone, echos, sunglasses). Underneath this text says, 'Press and hold to hear how your own voice sounds.'

Twitter Spaces’ Voice Effects are hellish and inaccessible – they have to go

A bearded white man with his head poking out of a wooden box looks up. The legs of a man in sandy coloured trousers and black shoes are visible and standing above him, like they're about to urinate on the head.

‘Once Upon A Time in Nazi-Occupied Tunisia’ review – Ade Edmondson is jarring in insecure comedy

On the left, Raymond Antrobus, a black man in a blue shirt, stands and stares at the camera. On the right, the cover for his book, 'All The Names Given', which shows an illustration of an outstretched hand, its palm facing us.

Raymond Antrobus’ ‘All The Names Given’ is a flourishing collection on acceptance

On the left, a young white woman, Cinderella, wears black rags. On the right, an older white woman, the Stepmother, with a black dress and curly, bright ginger hair points at her.

‘Cinderella’ review – Carrie Hope Fletcher shines in stylish, subversive musical