Liam O'Dell – Freelance Journalist and Campaigner

A bearded white man in a denim jacket looks over his shoulder as a black man with glasses and his back to the camera talks to him.

‘The Crucible’ review – Arthur Miller’s epic turns eerie and enigmatic

by Liam O'Dell September 29, 2022September 29, 2022

A white man in a blue shirt stands behind a microphone stand and speaks. Lit up in a dark blue light behind him in the background is a bald white man and a frizzy haired woman.

‘Jews. In Their Own Words.’ review – An essential, unflinching education

by Liam O'Dell September 29, 2022September 30, 2022

A range of different people in various brightly coloured clothes all look at a Black person in the middle in a blue dress, who is sat on the edge of a theatre stage set. They look troubled.

‘The Wonderful World of Dissocia’ review – Surrealist psychotic drama is creepy and curious

by Liam O'Dell September 26, 2022September 26, 2022

YouTube’s Touch Captions pilot revives viewer edits after Community Captions axe

by Liam O'Dell September 16, 2022September 16, 2022

A group of actors in different coloured outfits stand on a wooden stage with a halfpipe at the back. They lean forward slightly, as if ready to charge. In the middle is a white Persson with short brown hair, a silver armour chest and blue overalls.

‘I, Joan’ review – Non-binary Joan of Arc epic is a revelatory rebellion

by Liam O'Dell September 2, 2022September 9, 2022

Kenneth Branagh as Boris Johnson, a white man with messy blonde hair and a navy suit sitting at a desk.

‘This England’: Episode 1 review – A conflicting caricature of Boris Johnson’s Covid chronicles

‘Eureka Day’ review – School vaccine comedy isn’t particularly pointy

A dark, grey photo of a hand holding a pipette, which is inserted into a small glass bottle.

Spectrum 10K: UCLA ‘were not asked’ to sign statement announcing pause of autism study

‘The Snail House’ review – Birthday bash goes big with a small message

A Black woman in a grey vest with a look of concern on her face stands on stage facing stage left. The set behind her is a kitchen lit up in grey lighting.

‘The Clinic’ review – Black activism drama is dampened by lack of fiery focus

‘Antigone’ review – Inua Ellams’ converts classic into captivating commentary on citizenship