Liam O'Dell

Liam is a mildly deaf journalist, campaigner and theatre critic.

A red rectangle with a two white pause lines inside. Underneath, white text on a grey rectangle reads: 'Community Captions'. Underneath this is a red line against a white line, like the YouTube progress bar.

YouTube’s Community Captions replacement still isn’t ready – a year after they were axed

‘Is God Is’ review – Aleshea Harris’ wild, wild Western is one hell of a trip

Fehinti Balogun, a young Black man, crouches with other dancers as he dances on a stage.

‘Can I Live?’ online review – Fehinti Balogun’s compelling, energetic lecture on climate change

A purple gradient background. In the middle is text which reads: 'Voice Transformer. Change how your audience hears you by selecting a voice transformation.' There is then a slider showing a range of different icons (microphone, echos, sunglasses). Underneath this text says, 'Press and hold to hear how your own voice sounds.'

Twitter Spaces’ Voice Effects are hellish and inaccessible – they have to go

A bearded white man with his head poking out of a wooden box looks up. The legs of a man in sandy coloured trousers and black shoes are visible and standing above him, like they're about to urinate on the head.

‘Once Upon A Time in Nazi-Occupied Tunisia’ review – Ade Edmondson is jarring in insecure comedy

On the left, Raymond Antrobus, a black man in a blue shirt, stands and stares at the camera. On the right, the cover for his book, 'All The Names Given', which shows an illustration of an outstretched hand, its palm facing us.

Raymond Antrobus’ ‘All The Names Given’ is a flourishing collection on acceptance