The magic of theatre is a hard thing to describe. With the right play, the story comes to life and it just works. So, when Harry Potter and the Cursed Child – a story with fantasy at its core – makes its way to the historic Palace Theatre in London, one can imagine that the end result is a production wonderfully creative and immersive.
It’s understandable for Potter fans to question how the Wizarding World of Harry Potter translates onto the stage, when there’s certain restraints and no CGI on hand to help. Naturally, Potterheads want to see the Boy Who Lived and his universe accurately portrayed in this new medium. It’s most likely this faith to the story, combined with a curiosity as to how the cast pull off the magical aspects of the plot which has led to hundreds of theatre buffs buying tickets to the play. However, for those who are yet to nab a seat, they can be reassured that the stage has allowed the magic of Harry Potter to be blossom in an entirely different way to the films. Readers who were quick to label Harry Potter and the Cursed Child an embarrassing and cringeworthy fan fiction after the script was released should wait until they have seen the play before they question whether the story should be canon.
It’s a show which makes you recognise the work of those behind the scenes as much as it does of those who are performing. The opening scene throws you straight into the story, which is no doubt helped by Steven Hoggett’s smooth choreography and Imogen Heap’s soundtrack which was stunning throughout. One must also appreciate the use of lighting, too, which certainly helped to set and alter the play’s tone as the story progressed.
The play managed to achieve something which the movies failed to do for me, and that was actually create this feeling that I was at Hogwarts and a part of this world. This is no doubt down to this off-stage and on-stage collaboration, combined with the fact that it takes place in The Palace Theatre, an old building which certainly has a Hogwarts feel to it both inside and out.
Then there’s the actors and actresses. Admittedly, it felt like it took a while before some of the character’s dialogue became ‘genuine’, but one could argue that that was a result of my own apprehension. Nevertheless, Samuel Blenkin delivers an incredible performance as the socially awkward and over-excitable Scorpius Malfoy. Offering both pure emotion and comic relief, Blenkin fleshes out a likeable character the audience sympathises with. When working alongside the talented Theo Ancient (Albus Potter), the two create a tale of friendship that’s uplifting throughout. It’s also worth applauding Thomas Aldridge’s hilarious portrayal of Ron Weasley, Rakie Ayola’s sassy Hermione Granger and Gideon Turner’s performance as Harry Potter, which was exceptionally raw in certain scenes. Yet, as mentioned previously, everyone involved in the production should be given credit for the team effort. The fact that the cast pronounce Voldemort the correct way (Vol-de-MOR) was a nice touch.
However, much like how a magician never reveals their secrets, it would be wrong to unveil all of the technicalities that go into making this play what it is. Audience members were also sent a video from J. K. Rowling after the performance pleading for them to #KeepTheSecrets, so there’s that.
You just have to go and see it, if you’re lucky enough…