It’s been a while since we’ve heard from Capital Cities. Late last year they returned with their track, Vowels, but it was all the way back in 2013 that the duo released a collection of songs – that was their debut album, In A Tidal Wave of History.
Now, the band reveal their new EP, Swimming Pool Summer. For those who hoped that Vowels was the build-up to their second album, it looks like that isn’t coming just yet.
The EP’s title track is a welcome return to Capital Cities’ original style (following a little funk detour with Vowels). Much like Safe and Sound‘s standout trumpet melody, this song has a repeated synth tune which makes this track memorable. Add that to the odd trumpet flourish, traditional harmonised vocals and a bouncy drum beat, and you have the groovy sound we know and love. At the end of the EP, we hear THCSRS remix the track, which is a fair re-version, but it’s the original which is the best of the two, with its nostalgia hit making it a stand-out track on the record.
The band’s signature tone is distorted in the second track on the four-song EP. Drop Everything still maintains the bouncy tempo apparent in a traditional Capital Cities bop, but now, the main melody is an electronic-heavy tune that feels somewhat out of place when listening to the band’s previous work. In the past, the group have always flirted with synths and electronica, though it has always been tame, calm and euphoric. With Drop Everything, much like how Vowels tapped into the increasingly popular funk scene, the track tries to chip in to the current electro scene (with a sound reminiscent of the DJ, Marshmello) – to mediocre success.
By the third track on the EP, one starts to assume that the record will be ‘old, new, old, new’ in terms of structure. A mix of Love Again and Farah Fawcett Hair, Girl Friday sees singers Ryan Merchant and Sebu Simonian repeat vocals in the hope that this will deliver a hit for them. Whilst the chorus and first verse set a chill tone, this vibe is quickly destroyed by the rapper Rick Ross. Regardless of the smooth flow, Rick’s interruption of the chorus just ends up being obnoxious, ruining the 50/50 balance that a collaboration should convey.
With a laid-back rhythm, the penultimate track, Drifting, has a fitting name. It’s a different style of electronica to the three other songs. Gone are the slightly auto-tuned vocals and bouncy drums, instead we hear a more pure, chilled sound which brings the EP to a relaxed finish (if we exclude the aforementioned remix).
However, with Girl Friday containing a flawed collaboration, Drop Everything drifting too far away from Capital Cities’ original style, THCSRS’ remix not adding much to the song, and Drifting being a chill track, it’s Swimming Pool Summer which is the only memorable song of note from the EP. At which point, you have to ask: would it have been better to have released the aforementioned track as a single in order to build up excitement for the second album, whenever that may be?
Although the EP does showcase further experimentation from Capital Cities, we are still left in the dark about what’s next for Simonian and Merchant.
Whether that’s a good thing or a bad thing, you decide.